Lisa Schiff – SFA Advisory

Lisa Schiff – SFA Advisory

11 May 2017

In this week’s episode of the ArtTactic Podcast, we’re joined by New York-based art advisor and founder of SFA Art Advisory, Lisa Schiff. First, Lisa shares her impressions from last week’s TEFAF and Frieze fairs in New York. Then, she gives her thoughts on how strong the art market is at the moment. Also, Lisa explains why private sales are up at the expense of auction houses. Lastly, Lisa shares her thoughts on artworks she’s closely following that are upcoming at auction next week which are also featured in ArtTactic’s ArtForecaster May competition. These include artworks by Jean-Michel Basquiat, Christopher Wool, Donald Judd, Bruce Nauman and Joan Mitchell.

Kenny Schachter

10 May 2017

In this week’s edition of the ArtTactic Podcast, dealer and author Kenny Schachter, speaks with us about the upcoming May major post-war and contemporary auctions. First, Kenny reflects on the zombie formalist movement and shares with us what trends people in the market are speaking about most frequently at the moment. Then, he describes current market conditions and where he foresees the marketing heading in the near-term. After, Kenny shares insights and predicts prices for artworks he’s closely following that are upcoming at auction which are also featured in ArtTactic’s ArtForecaster May competition. These includes artworks by: Andy Warhol, Jean-Michel Basquiat, Bruce Nauman, Rudolf Stingel, Christopher Wool, Marcel Duchamp, Mark Grotjahn, Jonas Wood, Richard Prince and Peter Doig.

Anders Petterson – ArtForecaster

9 May 2017

In this week’s episode of the ArtTactic Podcast, Anders Petterson, founder and managing director of ArtTactic, joins us to share some of the forecasts from ArtForecaster, ArtTactic’s forecasting game in which competitors predict what prices artworks will sell for at auction. First, Anders shares a brief overview of ArtForecaster and what motivates individuals to continue to participate in these art auction forecasting competitions. Then, Anders discusses four important artworks for sale in the May post-war and contemporary sales by Damien Hirst, Rudolf Stingel, Peter Doig and Mark Grotjahn as well as what forecasters believe they will sell for ahead of the auctions. Lastly, Anders provides us with some perspective on this auction season by comparing it to previous seasons.

Katya Kazakina – Bloomberg News

26 December 2016

In this end of the year episode of the ArtTactic Podcast, Katya Kazakina, art market reporter for Bloomberg News, reflects on the major art market events of 2016. First, Katya takes the art market’s contraction (at the auction level in particular) as the major headline of 2016. Next, she identifies Agnes Martin, Yayoi Kusama, Kerry James Marshall, and Harold Ancart as artists who had the best year. Katya also details Instagram’s increasing influence over the past year in terms of how artists are discovered and artworks are sold. Lastly, Katya shares with us how market participants are feeling about the state of the art market as we head into 2017.

Judd Tully

Judd Tully – Art + Auction

23 November 2016
In this week’s episode of the ArtTactic Podcast, Judd Tully.

Judd Tully is editor at large of Art + Auction.  He joins us to recap last week’s major post-war and contemporary sales in New York. First, Judd reveals the mood of the art market just ahead of the auctions, following the US election. He compares the mood to the summer auctions that occurred in London shortly after Brexit. Then, he highlights some of the key takeaways from the auction results and what it indicates for the health of the art market. Also, Judd touches on the sustainability of Adrian Ghenie’s incredible market surge as well as why Phillips’ sale last week was a “breakthrough” for the auction house.

Sara Roffino

Sara Roffino – Art + Auction

12 September 2016
Sara Roffino in this week’s edition of the ArtTactic Podcast:

We speak with Sara Roffino, senior editor at Art + Auction magazine. Initially we discuss her latest article, the 25 Most Collectible Conceptual Artists. Sara clarifies for us the definition of conceptual art. Additionally, Sara speculates about why it’s so difficult for collectors to collect and embrace conceptual art, compared to other artistic movements.  Next, Sara identifies a few of the most well-known artists on her list. Furthermore, she also identifies some of the less familiar artists in her article.  Sara reveals to what extent conceptual artists have recently appeared at auction. As well as why they appear in museum shows and in galleries.

Dr Alireza Sami Azar

Dr Alireza Sami Azar – Tehran Auction

7 July 2016
In this week’s episode of the ArtTactic Podcast, we’re joined by Dr Alireza Sami Azar.

Dr Alireza Sami Azar is a former head of Tehran’s Museum of Contemporary Art and head of Tehran Auction (launched 2012).  It is a private initiative to introduce Iranian art to art collectors and a global audience.

First, Alireza talks about the establishment of Tehran Auction. He explains how it has helped develop a domestic art market in Iran. Then, Alireza speculates to what extent the lifting of sanctions on Iran will lead to more international buyers for Iranian art.  Also, he describes the art schools, gallery structure and museums in Tehran. He illuminates for us how similar or different they are than those in the US and Europe. Lastly, Alireza identifies some of the most prominent and emerging Iranian artists featured most prominently at Tehran Auction.

Simon de Pury

Simon de Pury

16 June 2016
In this week’s episode of the ArtTactic Podcast, we speak with Simon de Pury.

Simon de Pury is a London-based art dealer and art adviser.  He is author of the new book The Auctioneer: Adventures in the Art Trade.  He has been both the former Chairman of Sotheby’s Europe and the former owner and co-founder of Phillips de Pury.

First, Simon tells us about his new book and what inspired him to write it at this time. Then, he reflects on the time just before he left Sotheby’s. He tells us what prompted him to leave to ultimately establish Phillips de Pury. Also, Simon reveals some of the advantages of Phillips de Pury being a smaller auction house in relation to Christie’s and Sotheby’s. Further, he gives his impressions on the development of the online art market and where he sees it heading in the future. Lastly, Simon identifies some exciting contemporary art scenes across the world, shares what he believes to be the mood of the contemporary art market at this moment and offers important advice to emerging art collectors.

Robert Manley

Robert Manley

16 June 2016
In this week’s episode of the ArtTactic Podcast, Robert Manley, formerly the deputy chairman of post-war and contemporary art at Christie’s.

Robert will soon be joining Phillips auction house in a similar capacity and joins us to speak about his experiences participating in our ArtTactic Forecaster competition.

ArtTactic Forecaster participants forecast prices of artworks upcoming at auction.  Robert has given 2,650 predictions in the ArtTactic Forecaster game since May 2014.  He recently won the 2015-2016 Expert League season championship. First, Robert shares what initially drew him to ArtTactic Forecaster and what motivated him to leave so many forecasts.

Then, Robert explains why giving forecasts then having the opportunity to review and analyse his performance improved his forecasting accuracy. Also, he reveals what he has learned about his forecasting abilities that has surprised him. Additionally, Robert offers some free advice on leaving accurate forecasts. In particular he emphasises the importance of the low estimate figure. Lastly, Robert shares his commentary on the May contemporary sales; as well as the state of the overall contemporary art market.

Anny Shaw – The Art Newspaper

18 February 2016
In this week’s episode of the ArtTactic Podcast, Anny Shaw, UK correspondent and art market reporter for The Art Newspaper

Anny Shaw joins us to recap last week’s post-war and contemporary auctions in London. First, Anny breaks down the sales by the numbers and identifies some of the trends across the auction houses. While there seemed to be varying opinions on the strength of the sales and what they mean for the state of the art market moving forward, Anny shares with us what the mood was like amongst market participants in the sales rooms following each of the auctions. Then, she explains why the middle market may be an area which the auction houses focus on moving forward. Also, Anny picks out what kinds of artists and aesthetic styles performed favourably or were ignored by bidders during the sales. Lastly, Anny discusses the substantial drop off in auction guarantees this season.

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