Art Market Podcasts

Interviews with leaders and innovators in the global art industry

Ochuko Ojiri – Ramp Gallery

22 February 2021

In this week’s episode of the ArtTactic Podcast, we chat with Ochuko Ojiri, founder of Ramp Gallery, a London-based gallery specializing in emerging and contemporary artists. First, Chuko updates us on the lockdown in London and how it is impacting galleries. Then, he tells us how the gallery has been able to find success despite opening just a few months before the pandemic started. Also, Chuko shares how younger artists have managed through the pandemic, explains the positive impact of Instagram on both his gallery and his artists and offers advice to emerging artists who are just beginning their careers.

Matty Soudagar – DCL Blogger

10 February 2021

In this week’s episode of the ArtTactic Podcast, we chat with Matty Soudagar, who runs a prominent blog, DCL Blogger, focused on investing in NFTs and digital art. First, Matty explains what non-fungible token (NFT for short) means and what is a digital artwork. Then, he shares to what extent digital art collectors display the art in their homes versus investors who are purely motivated by financial motives. Next, Matty reveals how seamless it is to buy and sell NFTs on the blockchain. Also, Matty tells us if the significant volatility of cryptocurrencies makes it difficult to purchase digital artworks with them. Additionally, he identifies some of the leading digital artists at the moment as well as some of the most popular marketplaces to browse and purchase artworks.

Behind The Report: NextGen Artist Monitor Lynette Yiadom-Boakye

30 January 2021

In this edition of Behind The Report, Adam Green previews our NextGen Artist Monitor report on Lynette Yiadom-Boakye, in which we take a look at different aspects of her market and career including her lengthy institutional support as well as her market.

Rachel Bers – The Andy Warhol Foundation for the Visual Arts

21 January 2021

In this week’s edition of the ArtTactic Podcast, Rachel Bers, director of the grant making program at The Andy Warhol Foundation for the Visual Arts. First, Rachel shares the history of the foundation and the motivation for Andy Warhol founding it upon his death. Then, she explains the different types of grants the foundation gives to arts organizations. Also, Rachel tells us how the foundation’s granting activities have changed in response to the pandemic.

Scott Reyburn – Art Market Journalist

14 January 2021

In this week’s episode of the ArtTactic Podcast, Scott Reyburn, art market journalist who frequently writes in The New York Times and The Art Newspaper, joins us to discuss the red chip art phenomenon, a new term he coined to describe the art by younger artists that have appeared at auction selling for staggering amounts. First, Scott tells us about the term he coined and the corresponding phenomenon happening at auction. Then, Scott identifies some of the noticeable differences between this current art market cycle and previous ones. Also, he discusses the role that Instagram is playing in the art market to push demand and prices for art by emerging artists. Further, Scott explains why the current market has some questioning art as an alternative asset and shares if insiders believe this current trend will continue for the next few years.

Zachary Small – The New York Times

8 January 2021

In this week’s edition of the ArtTactic Podcast, Zachary Small, contributor at The New York Times, joins us to discuss looming increased regulations in the US antiquities market. First, Zachary tells us about the National Defense Authorization Act passed by US Congress which includes new regulations for the antiquities market. Then, he reveals how much push back there has been from the art trade, who generally prefer a more opaque marketplace. Also, Zachary shares if the extent of illicit sales of antiquities is truly known. Finally, he offers a timeline for when the regulations may be implemented.

Nate Freemen – Artnet

18 December 2020

In this end of year episode of the ArtTactic Podcast, we’re joined by Nate Freeman, Senior Art Business Reporter at Artnet. First, Nate shares his top storylines of the art market in 2020. Then, he identifies Avery Singer, Nicolas Party, Harold Ancart, Titus Kaphar, Simone Leigh, Amoako Boafo and Matthew Wong as the biggest artist market winners of the past year. Also, Nate reveals which segment of the market was the weakest this past year. Lastly, Nate shares a bold prediction for the art market in 2021.

Katya Kazakina

10 December 2020

In this week’s episode of the ArtTactic Podcast, art market reporter Katya Kazakina joins us to recap this past week’s major contemporary auctions. First, Katya discusses the incredible high prices achieved during the auctions by several younger and mid-career artists and why it has prompted talk of a bubble in the contemporary art market. Then, she touches on museums’ interest in artists of color and female artists and how that is impacting demand for their work on the primary and secondary market. Katya has also been monitoring the significantly high number of deaccessioning occurring at museums during the pandemic and explains why some incidents have been more controversial than others. Finally, as the year is winding down and we look ahead to 2021, Katya gives us a sense of what peoples’ expectations for the art market are moving forward.

Mary McCauley ArtTactic Podcast

Mary McCauley – The Baltimore Sun

16 November 2020

In this week’s edition of the ArtTactic Podcast, Mary McCauley, arts report for The Baltimore Sun, joins us to discuss the Baltimore Museum of Art’s controversial attempt to deaccession three paintings from the museum’s permanent collection. First, Mary tells us about the paintings by Andy Warhol, Brice Marden and Clyfford Still and their history with the museum’s collection. Then, she reveals what the museum’s motivation was to sell the paintings and why they ultimately decided against it. Also, she speculates why the museum received such intense scrutiny while other museums haven’t. Lastly, Mary tells us how the residents of Baltimore felt about the museum’s controversial decision.

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