A still image of “Symmetry” by Vishal Kumar, a work of data art created using computer software. The algorithm used to produce this work uses the parametric equations of 12 circles to draw and connect their X and Y coordinates. Randomisation is then added so the interactions between the coordinates is never the same. Image courtesy of Vishal Kumar.
Continue reading “Welcome to the Future: Data Art Explained”
Hassan Hajjaj, Yadi (2013) displayed at Indian Art Fair. The work is a metallic lambda print on dibond with wood and tomato tins. Photograph courtesy of Mansi Singh.
Continue reading “Why the Rise of the Regional Art Market in South Asia is So Refreshing”
“Cerulean” (1965) by Carmen Herrera was sold by Phillips in their 20th Century and Contemporary Evening Sale in New York on 16 November of last year. Photo courtesy of Phillips.
Continue reading “Latin American Market Dips as Auction Houses Change Strategy”
Antony Gormley’s “A Case for An Angel I” (1989) on display at Christie’s showrooms in London before a Post-War and Contemporary Sale.
Continue reading “3 Important Habits for Collecting Contemporary Art”
Image taken from Deloitte and ArtTactic’s Art and Finance Report, 2017. Courtesy of Deloitte.
Continue reading “Art & Finance: This Year In Review”
A view of Jean Nouvel’s intricately designed central dome at the recently opened Louvre Abu Dhabi. “Walking Man, on a Column,” by Auguste Rodin stands beside a commissioned sculpture by contemporary artist Jenny Holzer, which features historically important texts carved on a marble relief. Photograph courtesy of Hamza Khan.
Continue reading “How the Louvre Abu Dhabi Will Impact the Middle Eastern Art Market”
Three Studies of George Dyer (1966) by Francis Bacon. Courtesy of Sotheby’s.
Continue reading “Three Bacons Are Better than One”
The graph shows the percentage of Guarantees by Value in Post-War & Contemporary Evening Sales in New York for Christie’s, Sotheby’s and Phillips since November 2015.
Continue reading “Why Guarantors Run the Auction Block”
Statuette of the Virgin and Child. French, 1275-1300. Courtesy of the British Museum.
Continue reading “The UK Ivory Ban: Both Sides of the Story”